Later, Only Love Remains (Leah Swann, HarperCollins)

In Later, Only Love Remains, Leah Swann (Sheerwater) returns with another literary thriller, following Jack Wolfe in the aftermath of a car crash that killed his wife while he was driving. Manic with grief, Jack retreats to a remote shack near the Great Ocean Road. Instead of solitude, however, he finds himself in unexpected company – first, in the form of an exuberant young woman, Lotus, and later, a mysterious stranger trespassing on his property. The novel centres on beginnings and endings, and it offers a lyrical meditation on life, death, redemption and justice. Swann’s poetic prose is a clear strength, though, at times, it carries more weight than the narrative itself. Jack’s troubled past unfolds alongside the primary thread of suspense, suggesting the potential for a layered and tense story, but the slow pace and predictable revelations limit its impact. His machismo, offhanded sexism and questionable decisions also make him a difficult character to engage with. While his cynicism is intended to contrast with Lotus’s more open and tender nature – echoing the novel’s interest in opposites – Jack’s uneven character development makes it hard to fully invest in his journey. Later, Only Love Remains ultimately explores the irrepressible seed of love, despite life’s savagery. It champions the hope that even the most jaded individuals can pass on the best of the world to those who come after them. For readers who enjoy Liane Moriarty and Candice Fox.

Books+Publishing reviewer: Rhea Candy is a freelance writer, editor and reviewer. She has a master’s degree in creative writing and publishing from the University of Melbourne. Books+Publishing is Australia’s number-one source of pre-publication book reviews.

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